TRAVEL

Home therapy: Sofar SF at the Army Lofts

Rooftop of 3435 Cesar Chavez/The Army Lofts The first time I stepped foot in 3435 Cesar Chavez I was interviewing. I took my nylons off in the parking lot and slipped on my stilettos. I don't remember now where I stashed them, but I remember being dropped off by a friend and thinking, this is it. I belong here.

I wandered around the gate, past the print shop, to the glass doors and dialed for studio 222. I got the job and spent many days in that studio...running out for taco snacks or cappuccinos. Eventually I got a different job, in a different studio, and instead was running out to sew shops and pattern makers, receiving fabric swatches and models. I would take walks with co-workers to Mitchell's Ice Cream and see what new coffee shop had opened or closed nearby. We'd end our days at El Rio or gather on the roof.

SandVdiscohoodie

Over the years I made friends in the building and got to see the place after-hours. Many different artists, musicians and creatives live and/or work in The Army Lofts, which was originally a Sears Building. Each studio is completely different in shape and size. Every time a new loft welcomed me inside, I was surprised by its unique use of space and decor. Jam sessions, photo shoots, chili parties & New Year's Eve 2011 are some of the highlights. I've woken up in the Army Lofts, only to run home, change, and go back to work. I've thrown up in the bathroom. I've cried in the rooftop garden and done photo shoots beyond the do-not-enter gates. I spent my mid-twenties in that building. Growing up, growing pains. Last night I got to attend a Sofar SF concert, and it happened to be in one of the Army Lofts, one in which I had never been before, but have passed by a million times. Turn right at the dancing frog, and you're in.

Sofar Sounds is an organization based in London and active all over the world. They organize intimate concerts inside an individual's home.  It can be anywhere; last night it was in a place I used to consider a home away from home. Being inside the building again reminded me of my past and made me even more excited about my future.

The goal is to create an environment where you can actually hear and appreciate the music, instead of being in a loud, crowded venue with people too drunk or too preoccupied to watch the band. You don't know the lineup until you show up, and don't have the location until the last minute. Now, plenty of people were on their phones last night, but only during breaks or to take a quick photo. During the sets you could hear a pin drop.

Being invited into a stranger's home is so essential to the human experience, so evident of community, that just the act of walking through an open door made me feel warm inside. The small details of the home--a deck of cards, an old crate and barrel box, the stacked library books, gave us a small sense of the home dwellers, a gentle reminder we were outsiders, yet unconditionally included all the same. Home is just that-- a place where one can go to rest, to recover, to explore, to just be.

https://vimeo.com/81229160

The Herbert Bail Orchestra was the first act. They almost brought me to tears. Being so close to something so magical reminded me of why I love live music. They are based in Los Angeles. The second act was The Tambo Rays, based in Oakland. They included a sister-brother pair; the power of siblings centering the group. The third act was Anthony Hall, a singer/songwriter also from Los Angeles. He flirted with the crowd and surprised us with his strong vocals and inspired narratives.

I can't wait to experience Sofar Sounds in other places. Phoenix? Bilbao? Berlin? Who knows. The pleasure is in the infinite possibilities. Future homes and future sounds could be anywhere, could sound like anything, and will definitely remind me of something, some other home somewhere else. Like the name of Herbert Bail's album, the future's in the past.

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The Tambo Rays

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(Sorry Anthony I didn't get any photos as my camera batter ran out - still learning on this thing!)

Pop-Up Shop LOCAL this Black Friday!

IN DC? Thread

I may or may not be in line at Best Buy on Thanksgiving ;), but I will definitely be checking out Thread at Dock 5 on Friday in DC. Union Market will be hosting 30 local and national designers for a 3-day pop-up with live music and swanky food (or at least this is what I imagine, I have not yet been, still getting used to the 'DMV'--are you an R or a D? ahhhhh).

Friday 1-8pm, Saturday 11-8pm (The Walkmen concert at 7pm), Sunday 11-5pm. NoMA/Gallaudet (Red Line) 1309 5th NE @unionmarketdc

IN SF?

PoptGambit

Etxe will be part of the Popt Gambit in SOMA at 440 Brannan -- remotely! So Popt is a new app where you can tag your products/clothes and people can scan them at the pop-up shop and buy then or buy later. The app allows designers to set up their own prices, let customers bid on prices, and test out different price points. I meet one of the founders Kelley through a friend (and fellow designer Clare of Scout's Honor Clothing Co) and the entire process of scanning in my two products was super easy and fun.

Now I can have designs at pop-ups anywhere! Popt takes 10% (which includes merchant fees), so it is a pretty nice way to allow customers to 'collect' your items and prompts buying at a later date, which is great because how many times have you left a pop-up shop and totally forgotten all those great pieces?  I've seen MANY apps trying to do kind of similar things; this is the first one that actually makes sense.

Other designers at Popt Gambit include Mitsymoto DesignsPop OuterwearEdgefieldUSAD StructureDerby JacketsTradlands,  Scout's Honor Clothing Co, Nesting Days440 resident designersHieros, EstrellaRic RacUmber and OchreDepartment 17.

Oh and it is an open bar. So yeah, the only place to recover if you are joining the hordes at the big box retailers. No judgement.

Friday Lounge 1-7pm, Happy Hour 3-7pm. 440 Brannan Street. Powell Bart or Cab it. @poptag_it

Behind the Scenes: Leather talk with Craig Storek of Western Storex

Western Storex There is nothing like the smell of real leather. In designing the San Francisco wallet I sought out the experts as I wanted to create a product that will stand the test of time. I was lucky to find Western Storex--not only did Craig help advise me on the type of leather, but all in all the parts of the wallet to make sure it was the right construction, hardware, and weight.

Every time I visit Western Storex, Craig is super generous with his time and will answer any and all questions I have--no matter how random. It's obvious he knows his craft. I caught up with him to find out more about the history of Western Storex, and I am so amazed at the longevity of leather craftwork in his family. Talk about history!

Here's my interview with Craig Storek, owner of Western Storex:

1909 is a long time ago, how did Western Storex begin? Who started it?

Wencil C. Storek founded the company known as Western Manufacturing in 1909 and later incorporated it in 1948. Wencil C. Storek Jr., his eldest son was an integral part of the company, ultimately running the office while Wencil Jr’s younger brother Fred ran the factory.

Wencil Sr. was born in Czechoslovakia and came to the U.S. as a very young boy. His family settled in the Chicago area. Wencil Sr. had family that had come to San Francisco well before the 19th century and were doing saddlery work.

As a young boy, Wencil Sr. set out from Chicago in the 1890’s to find his family connections in San Francisco and begin his life long craft. Off by himself, he traveled west by train and ended up in Seattle, Washington. From there he took a ferry down the coast (remember the Golden Gate Bridge would not be built for about 40 years) to arrive in San Francisco. He arrived at the ferry building and disembarked from the ferry in a strange and wild, pre-1906 earthquake town. Feeling a bit lost and scarred he approached a huge Irish Cop who took him under his wing and made sure he made it safely to his destination.

As a young boy he began his apprenticeship in the leather trade and eventually in 1909 formed his own company which was to become quite a part of the booming San Francisco economy.

Storex Craft Supply (selling leather, tools and supplies to individuals, industry, schools and others) was formed in the late 30’s and early 40’s just in time for all the returning service personnel that flooded back to a post WWII peacetime economy.

Much later, the name Western/Storex was used as a DBA by Craig Storek (Wencil Jr’s. son) for the various activities of the company.

Why leather?

Why not! Leather is natural, strong, durable, versatile and aesthetically spectacular. Leather was an important part of the economy at the turn of the century. Leather is a critical element of saddlery and obviously horses were such a big part of life in those days. While saddlery was never a huge part of Western Manufacturing, it is what gave Wencil Sr. his base on which to build his company.

What work did Western Storex originally specialize in? How has it changed over the past hundred + years?

While saddlery was a mainstay of most leather businesses at the turn of the century, Western Mfg. incorporated canvas goods, case goods, etc. as major parts of its line. We have manufactured a very wide line of leather and canvas products through the years. From canvas leggings and leather puttees for WWI military personnel to holsters, leather bags for mail delivery to sporting and recreational products.While we have been suppliers of a wide variety of leather products to the government during all military conflicts dating back to the First World War, we no longer do government contract work.

How has Western Storex served the Bay Area? Where was the original location and why did it move?

Western has been located in the San Francisco area since 1909. It’s first location was on New Montgomery St. (now the financial district). Outgrowing that location and with the evolution of San Francisco, Wencil Storek Sr. found a property on 9th street that originally had a stable on it and later a structure that perished in the 1906 earthquake. In the early 20’s he had a state of the art brick and steel frame building constructed to house his growing company.

While the new building would only be about 40 percent occupied by the Western, the balance of the building was rented out to a variety of tenants over the years including what is believed to be one of the first locations for Wilson Sporting Goods.

Western and Storex craft has supplied products to virtually all Bay Area municipalities as well as schools, churches, organizations, etc. The management of Western has always been very civic minded. Wencil Sr. having been born in Europe was a driving force in San Francisco’s SOKOL hall which was a large part of the Czech community in the area. He was also responsible for attracting a skilled staff of “old world” craftsman. Wencil Jr. was very active in the Lions Club, Sokol, church and YMCA. Craig Storek, Wencil Jr’s son has been a supporter and participant in several youth programs.

How did you start out at Western Storex? Did you grow up in the Bay Area? How have you seen the industry change? 

I was born in San Francisco and attended school until the age of 10 when my parents moved to the peninsula. I would come to work with my Dad on Saturdays when the shop was in half mode and would also spend a fair amount of time during the Summers. The Factory foreman, my uncle Fred would find odd jobs in the shop for me to do. In it’s hay day, the Western employed about 40 craftsman in the shop and I always looked forward to my visits. It would hum like a well-tuned machine. The landscape of Leather manufacturers in San Francisco has changed dramatically. It is just a shadow of what it once was. My Grandfather was instrumental in forming the first organization for the benefit of his workers (union).

What originally drew you to leather work?

Having the trade in my blood did not hurt and I have always had a strong attraction to a well-made product out of quality leather designed to serve a genuine purpose. Plus there is nothing like the feel and smell of quality leather.

If I had a dollar for every person that walked into my shop and said, “I love the smell”, I would be a rich man.

What do you foresee in the future for leather work? 

Leather products are largely handmade so the industry has not changed a ton over the years. Yes there are all types of machines used in the production and some technical advances have been seen but some of the best machines are the old ones. There have been advance in the types of cutting machines used these day but they basically do the same as the old machines. 

What is your favorite part about leather work?

Handling the leather! Pulling the hide out and using the patterns or dies to create something of quality. PVC has nothing on leather. 

What is your most popular type of leather?

There are several types of leather and they all have their place. With rare exception is has to be top grain leather but different applications call for different types. There are so many different types of leather (cow, goat, lamb, pig, etc.) and the tanneries can impart a wide variety of characteristics depending on how the leather is tanned and finished. 

What advice would you give to manufacturers wanting to do leather work? Or to last in the leather world?

 Go for it. Leather is a wonderful material and if well cared for can last a lifetime. There is nothing more rewarding than to have a case or product you made come back in for a minor repair…well that is a 40-year-old product! My feeling is design the product well. Don’t skimp on materials or hardware and keep it simple.

What advice would you give designers wanting to do leather pieces?

Again, simplicity is valuable. Work up as many prototypes as is needed to get just the right fit and finish, then produce. Designers need to know what construction is called for and why. Use appropriate leathers and skilled craftsmanship and you will be a part of a product that can last for years. They say that older well used leather items have character and I would agree if the item has been taken care of.

 

Thanks Craig for such an in-depth look at a San Francisco institution! Visit Western Storex for your own leather supplies or craftwork here.