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    • Postpartum Paintings
    • You Can't Stay Here Forever
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    • Handmade Landscapes Ocean Meets Sky
    • Handmade Landscapes
    • Toto with Moon
    • Amulets
  • Commissions
  • Projects
    • First Coat Podcast
    • Distill Creative Blog
    • Eche Verde (pop-up gallery)
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STEPHANIE ECHE

  • 2024
    • 2024
  • 2023
    • Postpartum Paintings
    • You Can't Stay Here Forever
  • 2022 and prior
    • De la nada (From nothing/Of nowhere)
    • Vistas Enredadas
    • Handmade Landscapes Ocean Meets Sky
    • Handmade Landscapes
    • Toto with Moon
    • Amulets
  • Commissions
  • Projects
    • First Coat Podcast
    • Distill Creative Blog
    • Eche Verde (pop-up gallery)
    • Drip
    • Can You See My Screen?
    • Pay Up!
    • Woven Memories
    • Distill Creative Consulting
  • About
    • CV
    • Contact
    • Blog
Imani Shanklin Roberts

Imani Shanklin Roberts

Imani Shanklin Roberts at O Street Studios

October 11, 2015
Imani Shanklin Roberts

Imani Shanklin Roberts

Imani Shanklin Roberts

Imani Shanklin Roberts

Imani Shanklin Roberts

Imani Shanklin Roberts

Imani Shanklin Roberts

Imani Shanklin Roberts

Imani Shanklin Roberts

Imani Shanklin Roberts

Some photos from Imani Shanklin Roberts' show that opened last night at O Street Studios. My friend noticed all the titles are names of Lauryn Hill songs.  

“I build my art making process by allowing myself to view the world that I live in critically and as a malleable aesthetic experience.  At an early age I developed a very strong sense of self and culture from work that surrounded me in my home, which referenced the African American experience.  These images undoubtedly embedded itself in my personhood, thus encouraging me to embrace an Afrocentric perspective on identity, world-views, morality and aesthetics. As a result, I’ve chose to focus on the African American figure as my subject.”-Imani Shanklin Roberts
Tags: art

Here's a recent sketch/watercolor portrait. 

update: ESL, living, weaving, general assembly...

October 10, 2015 in STYLE

I cannot believe it is already October. Today I collected some leaves in the park and I got really excited about everything fall. I've been changing things up lately to better align my day-to-day with some new goals. I have not done another collection, but I've also fallen out of love with product design - or rather selling product. I've been focusing on making for the love of it, writing for the love of it, and learning for the love of it. That being said, I still have to make money, so some of my new focuses are for my day job - which is OK - which I actually still really like!

Here's what I'm spending my time on these days: 

learning

Weaving - I'm still working on my project. It takes a long time. 

Digital Marketing at General Assembly - I know, marketing is kinda disgusting, but I'm using it for a passion project and work! I really like the class, and will be doing my final project on cocktails+craft! 

Maintaining Relationships - this is more just me trying to be a better friend, sister, daughter, etc. My main thing is calling people on the phone, asking people to hang out (instead of being busy and MIA all the time) and being their when friends/family need me. 

teaching

ESL - I'm volunteer teaching an ESL class! I LOVE it! I'm co-teaching, so it's a lot easier to manage. I have about 6 adult students from 5 different countries. It is so amazing to see them learn things they can actually use. Makes me a little nostalgic for Bilbao, but mostly just happy I can give back. 

TBD - I have some other projects I want to do, but more later if/when they happen. 

Being present

(Ok - so I haven't really been writing. It's stupid - my main love is writing and yet I don't make enough time for it. It also happens so organically that it's really hard for me to plan time for it and then actually be able to focus when I have that time. I'm trying to work on this.)

I AM trying to be more of my spontaneous self. Having free time to do whatever makes me really happy. 

I'm also giving myself casual time to sketch, play with watercolors, even sew. I made a poncho-type thing the other week! Less pressure means I make more, it's annoying. 

Also, being around to spend time with my sister is kinda working. We're kinda being friends. It's kinda ok. 

Alright - just wanted to give an update since I haven't been blogging regularly. I'll keep up this blog on occasion, but also be posting to my Medium account and new cocktails+craft site. 

What did the Pope say to Congress? #PopeinDC

September 25, 2015

Yesterday my sister and I saw Pope Francis speak to the US Congress. We watched the jumbotron on the mall with hundreds of other people. Here's what stuck out to me:

If we want security, let us give security

If we want life, let us give life

If we want opportunity, let us give opportunity 

...

We have the freedom needed to limit and direct technology

to devise intelligent ways of… developing and limiting our power

and to put technologyat the service of another type of progress, one which is healthier, more human, more social, more integral.

In this regard, I am confident that America’s outstanding academic and research institutions can make a vital contribution in the years ahead.

...

We the people of this continent are not fearful of foreigners, because most of use were once foreigners.

...

Business is a noble vocation, directed to producing wealth and improving the world. It can be a fruitful source of prosperity for the area in which it operates, especially if it sees the

creation of jobs as an essential part of its service to the common good.

This common good also includes the earth.

...

It goes without saying that part of this great effort is the creation and distribution of wealth.

The right use of natural resources, the proper application of technology and the harnessing of the spirit of enterprise

are essential elements of an economy which seeks to be modern, inclusive and sustainable.

...

Read about the last time we saw the Pope - in Rio!

Tags: Pope Francis, DC, History
 Lunch Bytes #38: On hype-cycles, post-internet, and how the digital became fashionable

 Lunch Bytes #38: On hype-cycles, post-internet, and how the digital became fashionable

Post-Internet art - same problems as all the other art

September 02, 2015

This might be a little bit of a ramble, so bear with me. 

I just went to a chat at the Hirshhorn called Lunch Bytes #38: On hype-cycles, post-internet, and how the digital became fashionable. I heard about the event through the Goethe Institut email newsletter. 

I arrived a tiny bit late to a very empty auditorium. There was a podium set up and chairs for a panel discussion. The talk featured Karen Archey, art critic and curator, Adam Cruces, artist, and Vivien Trommer, curator, and was moderated by Melanie Bühler, curator and creator of Lunch Bytes. After a short introduction by Melanie, each speaker went up to the podium and presented a powerpoint. To be honest, the first powerpoint by Karen was a bit rough, with slides packed full of text from press releases. Adam's slideshow was purely visual, with examples of his own artwork and collaborative projects he's worked on. Vivien's had the most aesthetically-pleasing slideshow which framed her point and gave nice examples via clean visuals. (I bring up their powerpoints because I'm always shocked by the wide range of presentations that can be given at one talk - both in actual content and visual presentation). Afterward, there was a roundtable discussion and then questions from the audience. 

I found it really interesting that some of the themes discussed are simply cultural truths at this moment in time. For example: 

the internet itself does not ensure democratization

This is pretty clear. Just because anyone with an internet access (which, let's remember, is not everyone) can upload, manipulate or share, does not mean art is any more accessible or that it's much easier to be discovered as an artist. Perhaps, circa 2008 at the beginning of web 2.0, the internet did serve as a democratic platform for a brief moment in time when social networks hit the tipping point of popularity and it was still a relatively novel thing to create inclusive groups online, but now, with the complete overload of content and micro-curation, it's not. Chance and popularity still play huge roles in who sees what and how art becomes valued. 

the attention economy: commodified everything

I'm not sure if Vivien coined this term or not, but her whole presentation focused on the idea of the attention economy, which I really love. I don't love that it is the current law of land, but I love that she's thrown it out there and basically said - let's be real, attention is what matters. Art, as is most everything right now in the culture realm, is commodified and ranked according to how much attention that particular artwork, artist, writing, song, brand...etc. can get. It's wonderful that you can promote your artwork on Instagram - but at the end of the day, you need enough attention (most of which can be tracked and reported on via followers, likes, shares, comments) in order to be seen and thus gain more attention, and so forth. The fact that most of the algorithms that rule the internet are measuring attention given to a site or post, means this will only get more pronounced over time. Even the notion of how Google ranks websites is essentially based on attention - if a site gets more views due to being more helpful or more relevant than another site, it will rank higher, ensuring it gets more views, and thus rank higher, and on and on. I'm kind of baffled by this - the internet doesn't really help us find things we wouldn't other wise find, or things that are unknown, but rather is increasingly being configured to help us find things we already know we want to see. Bummer right?

international art cities (hubs) still rule art world

It's kind of crazy, but even though we can virtually connect all over the world using the internet, the panelists basically confirmed that you still have to have a physical presence in major art hubs - namely international cities - in order to be known, and presumably successful, as an artist. Now, as one speaker said this she also advised you shouldn't care about what other people are doing and just keep focusing on your own work and improvement, but the underlying message is, you still gotta move if you want to be a ~working artist~. So - while a certain class of artists, curators, critics and collectors travel the world from show to show, everyone else is meant to either sit back and watch, probably via Instagram + Periscope, happy producing or writing for their own personal enjoyment in non-international city OR pack up and move to NY, Berlin, Vienna, etc. This seems a little nuts, right? I mean, I get it, art still functions in this global-class-exclusive way, but why not send a different message? Like, artists! curators! critics! collectors! Start something wherever you are - put together a show, exhibit your work to friends, write about the small art movement in your town that no one cares about. Do it, do it and keep doing it and yeah, maybe you'll never have a show at the Whitney, but at least you are creating art and a community of artists and art enthusiasts in your town, which is probably making the world a better place. That's what I would have said, at least. 

Alright, there was so much more, but this is all I've had time to digest. 

What do you think? Are these speakers crazy, am I crazy, or do you agree? 

Hirshhorn Museum and Sculpture Garden, 8pm, Washington, DC

Hirshhorn Museum and Sculpture Garden, 8pm, Washington, DC



 


Tags: art, post-internet, culture

What I learned doing the #100dayproject

August 30, 2015 in INTERVIEWS

For the past hundred days I've been sketching a dress a day as part of the #100dayproject. It was not as hard as I thought it would be, but it was frustrating, inspiring, overwhelming and liberating. I can't really remember the last time I committed to something like this for such a long time. I learned a lot through the process like...

1) IT'S OK TO SUCK

Tan, braids, first day. #100daysofdresses #100dayproject #illustration #practice

A photo posted by Stephanie Echeveste (@etxeco) on Apr 4, 2015 at 9:26am PDT

This was my first sketch on the first day of this project. Isn't it awful? I've never been good at sketching and much prefer draping fabric on a dress form when I'm working on a garment. This project was a way for me to face my fear and dive in. 

#100dayproject #100daysofdresses

A photo posted by Stephanie Echeveste (@etxeco) on Apr 14, 2015 at 4:29am PDT

2) JUST KEEP GOING

I hated most everything I sketched in the beginning, but I kept going and little by little they got better. On days that I was particularly tired or traveling I tried even harder to keep it up because I knew once I skipped I would just keep skipping it (you know, like when you stop going to the gym for a week and all the sudden it's been three weeks). I learned the power of doing something daily and I really enjoyed the ritual of it. When I was home, I would make coffee and then work on a sketch before I got dressed for work. When I was traveling, I would try out new surfaces, like a coffee cup or a napkin. I found I much prefer to work in the morning in my home studio, but that I could make do in other environments if I had to. 

A few years ago I took a fashion illustration class at the Community College in San Francisco. The class was excellent and my teacher was always pushing me to practice more and take more time. I found that by doing this project - not only did I practice more, but the more I did it, the more I enjoyed it and would effectively take more time on my sketches. While I'm still not an amazing fashion illustrator, I at least feel confident sketching out an idea and now enjoy the process. 

DC represent. #100daysofdresses #100dayproject #aCreativeDC

A photo posted by Stephanie Echeveste (@etxeco) on Apr 10, 2015 at 10:44am PDT

3) YOU NEVER KNOW HOW OR WHO YOU INSPIRE

One of the coolest parts of this project was the reception I got from friends and strangers. A co-worker actually asked me what I was doing and I was thrilled to share the project with her and invite her to join in. Since I was sharing the daily pieces on instagram, I was able to see what people liked in real time and get feedback.

I am definitely wary of being preoccupied with social media activity in lieu of enjoying face-to-face interaction, yet I felt like using my instagram account to share this project was a really healthy way to share a part of myself with my network and, hopefully, inspire others to be creative and try new things. I think we all have the capacity to create, and I hope in putting myself out there and doing something I was pretty bad at initially inspired others to do the same! 

Just landed at BWI (why?!) and had a chance to do day #51 on the airplane. I had a really early flight which made me want to dose of the entire ways I'm glad this came out of my sleepy trip. Inspired by clouds and blues. #100daysproject #100daysdresssketches #acreativedc #watercolor #artpractice

A photo posted by Stephanie Echeveste (@etxeco) on May 25, 2015 at 2:08pm PDT

Inspired by Grayson Perry's #Lamentation. #100daysdresssketches #100daysproject #acreativedc #fashion #illustration #sketch

A photo posted by Stephanie Echeveste (@etxeco) on Jun 22, 2015 at 5:39am PDT

I'm still finessing my workout/art/work/cook schedule. 3 out of 4 is a good day. #sweetpotatocorncakes #100daysofdresssketches #81-83 #sketches #100daysdresssketches

A photo posted by Stephanie Echeveste (@etxeco) on Jul 15, 2015 at 4:51pm PDT

Cowboy grapevines. #100daysdresssketches #100daysproject #acreativedc

A photo posted by Stephanie Echeveste (@etxeco) on May 16, 2015 at 8:01am PDT

Slouchy day. #100daysdresssketches #100daysproject #acreativedc

A photo posted by Stephanie Echeveste (@etxeco) on May 28, 2015 at 4:49am PDT

A photo posted by Stephanie Echeveste (@etxeco) on Jun 17, 2015 at 6:11am PDT

NYC Meetup at FiftyThree with The Great Discontent via The Great Discontent

NYC Meetup at FiftyThree with The Great Discontent via The Great Discontent

CELEBRATING CREATIVITY IN NY 

I happened to be in New York during the celebration meet-up and got to meet Elle Luna and other participants in the project. It was really amazing to meet so many other creators and view their projects. I was so impressed by the body of work we collectively created! The event was hosted by FiftyThree and The Great Discontent with a special guest from the leader of the project, artist Elle Luna. 

It was really funny to hear how similar our experiences were - we all had a hard time facing our work in the beginning, had some lulls, felt like failures at one point or another, got behind and then would feel a push to keep going. Some people hadn't actually finished, some people hadn't even started, but everyone was inspired and willing to try. 

I'm super thankful I could be a part of the celebration! I wish there was one in DC...(if you are local - let's plan a meet-up!). I now want to do another 100 days - what should I do next?

Tags: 100 days, #100daysdresssketches, create

Nurturing a (female) network in the heart of H Street

August 24, 2015

When I signed up for Pineapple Presents: An Evening at Sally's Middle Name I really didn't know what to expect. I figured a night chat with Aphra Adkins and taste of the new restaurant would be interesting, at the very least. What I really did not expect was to have a transformative experience and actually walk out with a new friend. 

Pineapple, run by Ariel Pasternak, is a a series of gatherings that brings DC women together through food. This evening was the first one I've ever attended. 

I arrived via a work shuttle, bus, and coffee stop at Maketto while reading that article about 'Yuccies', which put me in a bit of a cynical, sour, yet slightly caffeinated mood. When I walked in I thought, on no, now I'm surrounded by Yuccies. It was hot and I immediately felt a bit out of place, like I hadn't properly commodified myself for this setting. I had already spilled coffee on myself, had a dying phone in my backpack, and I could feel the lack of instagram followers and blog readers as some serious downsides to my individuality as I signed my name on the guest list.

Why did I come here again? Who are these people? 

And then I looked around and took in the space. The event took place in the upstairs retail part of Sally's Middle Name, created almost by accident to fill the space, which is not zoned for a restaurant business. It was beautifully crafted with shelves filled with, what some might call, nice things--those fancy, quality or handcrafted pieces you want to buy for your apartment but usually just buy for others as gifts. There was a small children's section and what looked like a space for oils and scents. Everything was pushed to the side walls to make space for a center table area set like your hip grandmother's dining room, if she were into farm tables and mismatched cloth napkins. 

I recognized some faces, and decided to give it a go. I can handle this, I thought. I can sum myself up in a few words and talk to these other women. I caught up with the few people I knew, and tried to make small talk with those that I didn't. Soon after, we were ushered to be seated and the event started. 

I sat between Alexandra Dawson of In My Bowl and Kim Bryden of Cure[ate], (they both had very nice, succinct, introductions) though it wasn't until the end of the night that I really got to chat with both of them. As I settled into my seat I realized my back would be facing the speakers and I would have a long few hours of awkward turn-around seat adjusting. The evening started with Ariel introducing Aphra and followed with a candid discussion of what it was like to open a restaurant. Meanwhile, her team brought out delightful dishes with simple, fresh, local ingredients. We'd pause to taste the salad or order another glass of rosé, and then the discussion would continue with insight on working with a spouse on the endeavor, motherhood/boss life, and what it means to be a part of a community while simultaneously re-creating it. 

"If we don't open a restaurant, I can't be married to you" 

"Sometimes I feel really guilty, sometimes I feel really lucky"

"Why conform to what you are trying to get away from?" 

"I'm literally a super human. I made another human. I can do anything."

Aphra Adkins on fulfilling relationships, working motherhood, not compromising and self motivation.

In between we chatted across the table and I slowly settled into the environment. Then the guests asked their own questions and as the discussion went on I realized, these were good people, open, seasoned, passion-driven people. Was this the most diverse crowd I've ever been in? Certainly not in color of skin, but definitely in experiences. These's weren't bright-eyed entrepreneurs or cookie-cutter MBAs looking to sell an over-tried idea, but inspired women unwilling to conform and deciding to make a different kind of life for themselves. The way in which it manifested in each individual varied - from artist to blogger to craft food creator to marketer to project manager to small business owner. Each in her own way had crafted a new kind of career and a new kind of life, many of which were messy and hard to define. And, of course, we all loved good food. 

At the end, we did those introductions. I stumbled over my own, forgetting to mention cocktails+craft, my blog or the fact that I love food. Then I tried to not let my jaw drop as everyone else gave their own intro and shared a bit of themselves. I was literally surrounded by the women changing the world. Each person sitting around that table is making a tiny little dent in the universe. And it was magical. 

I was incredibly impressed by the openness of Aphra and thankful to her and her team to welcome us into their restaurant, which really did feel like a home, and of course, terribly grateful to Ariel who organized the event. I don't know what was more touching - the space, the gifting of food or the intangible nourishment the event provided. 

I could go on and on about what an amazing concept restaurant Sally's Middle Name really is, their upcoming ESL classes for restaurant employees in the community and a variety of other things I experienced during the night, but the most important takeaway for me is that magic happens when you least expect it. And a community of inspiring women changing the world might be just around the corner, or up the stairs at a small restaurant on H Street.  

Thoughts for upcoming gathering -

  • it would be great to do introductions in the beginning, it really helped to get to know a bit about each person.
  • send out a list of all the attendees with name, contact info. so everyone can stay in touch.

Did you attend Pineapple Presents? Are you a part of a women-run, female network in your city? I'd love to hear about your experience and your own background - leave your comments below! 

 

 

 

Tags: DC, Creatives, Women, Community
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Studio Notes

This blog is about my inspiration, works in progress, and what I’m learning and thinking about.

Studio Notes

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    Opening of Ocean Meets Sky - Art Exhibition & Pop - Up Shop *EXTENDED UNTIL 7/17*
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    I have a new piece of artwork in the Artist Alliance 2021 Member @artist_alliance_community show! 
There are many wonderful artists in this show--click the link in bio to see the show. 

"House Party"
28" x 20.5" 
Cyanotype print
    1. Hydrosphere 1
Cotton and indigo
11 x 11 x 2.5 in

2. Hydrosphere 2
Cotton and indigo
11 x 11 x 2.5 in

These are part of my Handmade Landscapes: Ocean Meets Sky series. View more at the link in bio. ✨🌊
    In June I took a new @nyccritclub course called Textile Translations taught by @padmavathy_r. The class was amazing and it also helped me meet other artists working in fiber and textiles, including @kekearle! Katherine came to my current show and I h